5 Ekim 2013 Cumartesi

Sofia Land

Sofia Land (София Ленд) was an amusement park in Sofia, the capital of Bulgaria. It was the first true amusement park in the country, as well as one of the largest inSoutheastern Europe, and was situated on an area of 35,000 m² in a park close to Sofia Zoo. Construction of the main building began in July 2001 and the park was opened on 21 September 2002.
Sofia Land featured 4 extreme, 8 children's and 11 all-age rides and attractions, a number of bars, restaurants, coffeehouses, clubs, a bowling ally under the park itself also a gaming station with PS2 and other games below. There were also many shops and several cinema halls situated in the park's main building, which resembled a castle.
In September 2006, plans to change the owner and close the park were announced. The park was officially closed down on October 16 of the same year.

National Archaeological Museum, Sofia

The National Archaeological Museum (BulgarianНационален археологически музейNatsionalen arheologicheski muzey) is an archaeologicalmuseum in the centre of Sofia, the capital of Bulgaria. It occupies the building of the largest and oldest former Ottoman mosque in the city, Büyük camii ("Grand Mosque"), built around 1474 under Mehmed II. The museum was established as a separate entity in 1893 as the National Museumdirected by Czech Václav Dobruský with its headquarters in the former mosque that previously housed the National Library between 1880 and 1893.
The museum was officially opened and inaugurated in 1905, as by then all archaeological exhibits previously kept all over the city were moved there, in the presence of Knyaz Ferdinand of Bulgaria and Minister of Enlightenment Ivan Shishmanov.
Several additional halls and administrative buildings of the museum were constructed in the following years, which continues to use the historic stone building of the old mosque despite the often unfavourable conditions, notably the humidity in the summer. The museum has five exhibition halls: Central Hall, Prehistory, Middle Ages, Treasure, and a special temporary exhibition. It is managed by the Bulgarian Academy of Sciences.

History[edit source]


The museum around 1920
The idea for the creation of an archaeological institute with a museum was conceived among exiled Bulgarian intellectuals in the 1840s, and was among the top priorities for the Bulgarian Literary Society immediately after its establishment in 1869. During the interim Russian administration immediately after the Liberation of Bulgaria, the first steps towards the establishment of a national archaeological museum were taken. In 1892, the institution was de jure established through a decree by the Tsar, and the assembly of its collections began the next year. Initially it was also known as a "Museum-temple of the Fatherland".
Until 1906, the museum included a collection of ethnographic items. By this year however, the collection was becoming so vast that it had to be separated and displayed in a separate institution, which became the Ethnographic Museum of Sofia. Since its foundation, the Museum works actively in cooperation with the Bulgarian Archaeological Society. In 1920 an Archaeological Institute headed by Bogdan Filov was established as an independent institution. It was merged with the museum in 1948 and is under the auspices of the Bulgarian Academy of Sciences ever since.

The museum today
After World War II the joint institution launched a series of archaeological expeditions inside Bulgaria. They conducted studies on a number of sites from the Chalcolithic to the early Middle Ages, which resulted in a number of additional artifacts being added to the museum collection. Today the museum stores a large number of items, although some of them are threatened by damage due to the design of the building, which is charactrised by high moisture levels during the summer season.

Collections[edit source]

  • Prehistory Hall - located at the lower floor of the northern wing. It displays a collection of items dating from between 1,600,000 BC and 1,600 BC. The collection is chronologically displayed and includes various findings from caves around Bulgaria, tools of the earliest humans who inhabited its modern territory, drawings, simple pottery, ritual items and many others.
It subdivides into an Early, Middle and Late Paleolithic collection, Neolithic collection, Chalcolithic collection, and Bronze Age.
  • Treasury - located in the eastern wing and displays grave inventory and other treasures from the late Bronze Age to late Antiquity. Two of the most well-known Bulgarian treasures are located here: the Valchitran and Lukovit Treasures.
  • Main Hall - located at the first floor of the main building. Hosts a collection of diverse items ranging from ancient ThraceGreece and Rome to the late Middle Ages.
  • Medieval Section - located at the second floor of the main building. Includes a gallery of medieval books, woodwork, drawings, metal objects and other items characteristic of the era.

Russian Church, Sofia

The Russian Church (BulgarianРуска църква, Ruska tsarkva), officially known as the Church of St Nicholas the Miracle-Maker (църква "Св. Николай Чудотворец", tsarkva "Sv. Nikolay Chudotvorets"), is a Russian Orthodox church in central SofiaBulgaria, situated on Tsar Osvoboditel Boulevard.

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History and architecture[edit]

The church was built on the site of the Saray Mosque, which was destroyed in 1882, after the liberation of Bulgaria by Russia from the Ottoman Empire. It was built as the official church of the Russian Embassy, which was located next door, and of the Russian community in Sofia, and was named, as was the tradition for diplomatic churches, for the patron saint of the Emperor who ruled Russia at the time, Nicholas II of Russia. The church was designed by the Russian architect Mikhail Preobrazhenski in the Russian Revival Style, with decoration inspired by the Muscovite Russian churches of the 17th century. The construction was supervised by the architect A. Smirnov, who was building the Alexander Nevsky Cathedral nearby. The exterior decoration of multicolored tiles was done by G. Kislichev, and the interior murals were painted by a team of artists led by Vasily Perminov, who also painted those in Alexander Nevsky Cathedral. The five domes are coated with gold. The bells were donated by Emperor Nicholas II.
Construction began in 1907 and the church was consecrated in 1914. The church remained open after the Russian Revolution and during the Communist period in Bulgaria (1944–1989), though priests and church-goers were carefully watched by the State Security police.
The exterior was recently restored by the Russian Government. The interior murals unfortunately are darkened by smoke from candles and from time, and are in need of restoration.
The crypt housing the remains of Saint Archbishop Seraphim is located beneath the Russian Church's main floor. Dozens of people still visit the grave of the archbishop, who died in 1950, praying and leaving notes asking for wishes to be granted.

Iskar Reservoir

The Iskar Reservoir (язовир „Искър“) is the largest reservoir in Bulgaria. It is situated on the Iskar River and provides 2/3 of the water for the capitalSofia, also being used for producing hydroelectricity.
Iskarreservoir2.JPGThe reservoir has a total volume of 673 million m3, of which 580 million are in use and the rest is reserve. The reservoir has a drainage basin of 1,046 km² and is 25 km long. It is situated at 820 m above sea level, its dam being 204 m long and 76 m high.

History[edit]

The initial plans for the construction of a dam on the Iskar date to as early as 1900-1901, immediately after the building of the Pancharevo Hydroelectric Power Plant. In 1921, the idea was once again brought up, but its accomplishment failed due to the municipality's inability to indemnify the residents of the neighbouring villages of Gorni PasarelShishmanovo and KalkovoTopographic photographs and a geological assessment regarding the dam were made and observations of the Iskar's water level at Pasarel were conducted in 1932-1941 in order to build what was initially called the St Peter's Reservoir (named after the monastery in Dolni Pasarel which was supposed to be near the reservoir).
New geological research related to the reservoir's construction began in 1947 at four places between Gorni Pasarel and Pancharevo. The place at the Iskar's 37th kilometre was chosen as the most suitable in terms of geology, topography and economics. The waters of the river were further studied between 1947 and 1948.
Work on the projects for an Iskar water power system commenced in early 1948 in the newly-established Energohidroproekt. The design and the first draft were created by a team under the engineer Moiseev with the assistance of Soviet specialists. The project was approved by the expert council of the Ministry of Electrification and Melioration, and it was planned that the reservoir had a working volume of 520 million m3 and a reserve volume of 60 million m3.
The preparative works began in 1949, the main construction was carried out in the end of 1950, the water power system being officially opened on 6 September 1954.

Alexander Nevsky Cathedral, Sofia

The St. Alexander Nevsky Cathedral (BulgarianХрам-паметник „Свети Александър Невски“Hram-pametnik „Sveti Aleksandar Nevski“) is a Bulgarian Orthodox cathedral in Sofia, the capital of Bulgaria. Built in Neo-Byzantine style, it serves as the cathedral church of the Patriarch of Bulgaria and is one of the largest Eastern Orthodox cathedrals in the world, as well as one of Sofia's symbols and primary tourist attractions.[1][2] The St. Alexander Nevsky Cathedral in Sofia occupies an area of 3,170 square metres (34,100 sq ft) and can hold 10,000 people inside.[1] It is the second-largest cathedral located on the Balkan Peninsula, after the Cathedral of Saint Sava inBelgrade.[3]

Architecture[edit]

The Alexander Nevsky Cathedral is a cross-domed basilica featuring an emphasized central dome. The cathedral's gold-plated dome is 45 m high (148 ft), with the bell tower reaching 53 metres (174 ft).[1] The temple has 12 bells with total weight of 23 tons, the heaviest weighing 12 tons and the lightest 10 kilograms (22 lb).[1] The interior is decorated with Italian marble in various colours, Brazilian onyx,alabaster, and other luxurious materials. The central dome has the Lord's Prayer inscribed around it, with thin gold letters.[1]

Design and construction[edit]

Alexander Nevsky Cathedral andNational Gallery for Foreign Art behind.
The construction of the St. Alexander Nevsky Cathedral started in 1882[2] (having been planned since 19 February, 1879), when the foundation stone was laid, but most of it was built between 1904 and 1912.[1] Saint Alexander Nevsky was a Russian prince. The cathedral was created in honour to the Russian soldiers who died during the Russo-Turkish War of 1877-1878, as a result of which Bulgaria was liberated from Ottoman rule.
The cathedral was designed by Alexander Pomerantsev,[2] aided by Alexander Smirnov and Alexander Yakovlev, as the initial 1884-1885 project of Ivan Bogomolov was radically changed by Pomerantsev. The final design was finished in 1898, and the construction and decoration were done by a team of Bulgarian, Russian, Austro-Hungarian and other European artists, architects and workers, including the aforementioned architects, as well as Petko Momchilov,Yordan MilanovHaralampi TachevIvan Mrkvička, Vasily D. Bolotnov, Nikolay A. Bruni, A.A. Kiselyov, Anton Mitov and many others.
The marble parts and the lighting fixtures were created in Munich, the metal elements for the gates in Berlin, while the gates themselves were manufactured in Karl Bamberg's factory in Vienna, and the mosaics were shipped from Venice.

Name changes[edit]

The name of the cathedral was briefly changed[1] to the Sts. Cyril and Methodius Cathedral between 1916 and 1920 (since Bulgaria and Russia belonged to opposing alliances in WWI), but then the initial name was restored. The St. Alexander Nevsky Cathedral was proclaimed a monument of culture on 12 September 1924.

Relics[edit]

To the left of the altar is a case displaying relics of Alexander Nevsky, given by the Russian Orthodox Church. Although the accompanying Bulgarian-language plaque refers simply to "relics" (мощи), the item on display appears to be a piece of a rib.

Museum and market[edit]

Alexander Nevsky Cathedral in Sofia, with the parliament behind.
There is a museum of Bulgarian icons inside the cathedral crypt, part of the National Art Gallery. The church claims that the museum contains the largest collection of Orthodox icons in Europe.

Nearby locations[edit]

The cathedral is adjacent to St. Sofia Church, the church for which the city of Sofia is named. Other notable landmarks in the immediate vicinity of the cathedral are the Monument to the Unknown Soldier, the Bulgarian Academy of Sciences, the National Gallery of Foreign Art, the National Art Academy, the Bulgarian Parliament, a park honoring Ivan Vazov with his monument and gravestone, the Sofia Opera and Ballet, and a park where one can buy handmade textiles, icons, and antiques in a small flea market.

Gallery[edit]

Boyana Church

The Boyana Church (BulgarianБоянска църкваBoyanska tsarkva) is a medieval Bulgarian Orthodox church situated on the outskirts ofSofia, the capital of Bulgaria, in the Boyana quarter. The east wing of the two-storey church was originally constructed in the late 10th or early 11th century, then the central wing was added in the 13th century under the Second Bulgarian Empire, the whole building being finished with a further expansion to the west in the middle of the 19th century. The church owes its world fame mainly to its frescoes from 1259. They form a second layer over the paintings from earlier centuries and represent one of the most complete and well-preserved monuments of Eastern European mediaeval art. A total of 89 scenes with 240 human images are depicted on the walls of the church. The name of the painter is recently discovered during restoration. The inscription reads: "zograph Vassilii from the village Subonosha, Sersko and his apprentice Dimitar".
National History Museum director Bozhidar Dimitrov stated: "The renovation revealed a rare inscription under a layer of plaster on one of the church walls: 'I, Vasiliy' inscribed. We now know the painter with certainty. The 13th-century 'Boyana master' was the only painter among the kings and nobles whose names were read out on a regular basis during sermons at the church."[1] Restorator Grigoriy Grigorov stated the reason: "The Christian Orthodox religion forbids the painter from manifesting himself, as in the eyes of the priests it is God who guides his hand. But this painter inscribed his name, knowing that the believers could not see it."[2]
18 scenes in the narthex depict the life of Saint Nicholas. The painter here drew certain aspects of contemporary lifestyle. In The Miracle at Sea, the ship and the sailors' hats recall the Venetian fleet. The portraits of the patrons of the church — Sebastocrator Kaloyan and his wife Desislava, as well as those of Bulgarian tsar Constantine Tikh and Tsaritsa Irina, are thought to be among the most impressive and lifelike frescoes in the church, and are located on the north wall of the church.
Besides the first layer of 11th-12th-century frescoes, of which only fragments are preserved, and the famous second layer of murals from 1259, the church also has a smaller number of later frescoes from the 14th and 16th-17th century, as well as from 1882.
The monument was added to the UNESCO World Heritage List in 1979. The frescoes were restored and cleaned in 1912-1915 by anAustrian and a Bulgarian specialist, as well in 1934 and 1944. The church was closed for the public in 1977 in order to be conserved and restored and once again opened in 2000.
The church patrons' inscription in Middle Bulgarian from 1259 reads:[1]
+взъдвиже сѧ ѿ земѧ и създа сѧ прѣчисты хра
мъ ст҃аго иерарха х҃ва николы ст҃аго и великѡ
славнагѡ мѫченика хв҃а пантелеимѡна тече
ниемъ и трѹдомъ и любовиаѧ многоаѫ калѡ
ѣнѣ севастократора братѹчѧди цр҃ва внѹкъ ст҃а
стефана кралѣ србьскаго написа же сѧ при цр҃
вство блгарское при благовѣрнем и бг҃очь
стивѣмъ и хр҃столюбивѣмъ цр҃и костан
динѣ асѣна едикто з҃ в лѣто
.ѕ҃.ѱ.ѯ҃з҃
This immaculate temple of the Holy hierarch Nicholas and martyr Panteleimon was erected from the ground and created with the funds, care and great love of Kaloyansebastokrator, cousin of the Tsar, grandson of Saint Stephen, King of Serbia, and was decorated under the Bulgarian Empire under the pious and devout Tsar Constantine AsenIndiction 7 of the year 6767 [1259].

Architecture[edit]

The Boyana Church was built in three stages: in the late 10th and early 11th, the mid-13th, and the mid-19th centuries. The oldest section (the eastern church) is a small one-apse cross-vaulted church with inbuilt cruciform supports. It was built in the late 10th and early 11th century. The second section, which adjoins the eastern church, was commissioned by Sebastocrator Kaloyan and his wife Dessislava and in the mid-13th century. This building belongs to the two-floor tomb-church type. It consists of a ground-floor family sepulchre with a semi-cylindrical vault and two arcosolia on the north and south walls, and an upper-floor family chapel identical in design to the eastern church. The exterior is decorated with ceramic ornaments. The last section was built on donations from the local community in the mid-19th century.

Frescoes[edit]

First layer[edit]

A ship in a fresco in Boyana church
Constantin Tikh of Bulgaria and Eirene of Nicaea
Pantocrator a fresco from 1259
The first layer of frescoes, which originally covered the entire eastern church, dates from the 11th-12th-century. Fragments of those frescoes have been preserved in the lower parts of the apse and the north wall, and in the upper part of the west wall and the south vault.

Second layer[edit]

According to the donor’s inscription on the north wall of the second section, the second layer of frescoes dates from 1259. Those frescoes were painted over the earlier layer by a team of unknown artists, who also decorated the two floors of the building commissioned by Sebastocrator Kaloyan.
The Boyana Church owes its world fame above all to the frescoes from 1259, which demonstrate the exceptional achievements of mediaeval Bulgarian culture. The majority of the more than 240 figures depicted here display individuality, remarkable psychological insight and vitality. The frescoes follow the canon of icon-painting established by the Seventh Ecumenical Council held in Nicaea in 787.
The frescoes in the oldest section of the church include a magnificent representation of Christ Pantocrator in the dome. The drum below shows a host of angels, with the Four Evangelists - Matthew, Mark, Luke and John - portrayed in the pendentives. Four images of Christ adorn the face of the arches: Christ Emmanuel; Christ, The Ancient of Days; and the acheiropoietic (“made without hands”) Holy Mandylion and Holy Tile. Next come scenes from the Major Feast Days and the Passions of Christ. Among the full-length portrayals of saints in the first tier, there are ten warrior saints. The Virgin Enthroned, surrounded by archangels, is represented in the altar conch. Below are four church fathers: St. Gregory the Theologian, Basil the Great, John Chrysostom and Patriarch Germanus. The frescoes flanking the altar show the deacons Laurentius, Euplius and Stephen, as well as St. Nicholas, the patron of the ground floor of the church - one of the most popular saints and the patron saint of sailors, merchants and bankers.
The life of St. Nicholas is depicted in 18 scenes in the narthex (the second section of the church). The unknown artist included elements of contemporary life in those scenes, and many of the figures are quite realistic - especially their countenances. The lunette above the entrance of the narthex displays the Virgin and Child, St. Anna and St. Joachim, and Christ Blessing. St. Catherine, St. Marina, St. Theodore the Studite and St. Pachomius are portrayed in the lower tiers on the walls. The south arcosolium features the scene of Christ Disputing with the Doctors, and the north one, the Presentation of the Virgin. Two highly revered Bulgarian saints are also represented in the narthex - St. John of Rila (the oldest surviving representation of the saint) and St. Paraskeva (Petka). The hermit St. Ephraim Syrus appears among the monks portrayed here. The expressive realistic portraits of the donors Sebastocrator Kaloyan and his wife Dessislava, and of the Bulgarian Tsar Constantine Asen Tikh and Tsaritsa Irina - painted with precision, extraordinary skill and feeling - are among the oldest portraits of figures from Bulgarian history.
Today the name “Boyana Master” stands for the team of unknown artists who decorated the church and mastered their art in the studios of the Turnovo School of Painting. The frescoes are genuine masterpieces with a flawless technique, psychological depth, complexity and realism. Boyana is the only and the most impressive wholly preserved monument of the Turnovo School of Painting from the 13th century.
According to many leading experts, the world famous frescoes in the Boyana Church played an important role in the development of mediaeval Bulgarian and European painting.

Late frescoes[edit]

Christ among the scribes
Some parts of the church were overpainted, and the majority of those frescoes have survived to the present day. The later frescoes include a scene of the Presentation of the Virgin from the 14th century, a portrait of St. Nicholas from the 16th-17th century, and representations of the two patron saints of the Boyana Church - St. Nicholas and St. Panteleimon - from 1882.

Full restoration[edit]

The Boyana Church was officially opened in the February 10, 2008 official ceremony which formally ended the (2006–2008) 400,000 leva ( 200 000 EUR) restoration works, with funding of the initiative "The eternal buildings of Bulgaria".[3] The Church has now an air-conditioning system to keep the temperature at 17-18 degrees Celsius (62-64 Fahrenheit), while the special lighting system does not emits heat, and visitors are only allowed 15 minutes for entries.[2]Currently under the management of the National Historical Museum (Bulgaria), Culture Minister Stefan Danailov marked its full opening on October 2, 2008. It is now open 7 days a week from 9:30 am to 17:30 pm, with admission of 10 leva per person.[4]